Amelia Jones, Robert A. Day Professor in Art and Design and Vice-Dean of Critical Studies at the Roski School of Art and Design, University of Southern California
Call for Papers
Submission deadline: December 1, 2017.
Invitations to participate will be sent by February 1, 2018.
This annual conference builds on the legacy of feminist art-historical scholarship and pedagogy initiated by Norma Broude and Mary D. Garrard at American University. With the goal of fostering a broad dialogue on feminist art-historical practice, the event will feature papers spanning a range of chronological, geographic, and intersectional topics.
Papers may address such topics as: artists, movements, and works of art and architecture; cultural institutions and critical discourses; practices of collecting, patronage, and display; the gendering of objects, spaces, and media; the reception of images; and issues of power, agency, gender, and sexuality within visual cultures.
Submissions on under-represented art-historical fields, national traditions, and issues of race and ethnicity are encouraged. We welcome submissions from established and emerging scholars of art history as well as advanced graduate students.
To be considered for participation, please provide a single document in Microsoft Word. It should consist of a one-page, single-spaced proposal of unpublished work up to 500 words for a 20-minute presentation, followed by a curriculum vitae of no more than two pages.
To submit your proposal, please
- name the document "[last name]-proposal"
- submit with the subject line "[last name]-proposal" to firstname.lastname@example.org.
The conference builds on the legacy of feminist art-historical scholarship and pedagogy initiated by Norma Broude and Mary D. Garrard at American University. With the goal of fostering a broad dialogue on feminist art-historical practice, the event will feature papers spanning a range of chronological, geographic, and intersectional topics. A call for proposals will appear this fall.
Previous keynote speakers include Lisa Gail Collins, Vassar College (2014); Patricia Simons, University of Michigan (2013); Whitney Chadwick, San Francisco State University (2012); Mary Sheriff, University of North Carolina-Chapel Hill (2011); and Anna Chave, Queens College and the Graduate School, CUNY (2010).
E-Book by Broude & Garrard
Introducing Feminist Art History brings together the landmark introductory essays and prefaces written by Norma Broude and Mary D. Garrard for their five co-edited volumes on feminism and art history (1982-2005). With a new preface (2014).
"Thank you for staging such an interesting and important conference that keeps feminism visible in our field and gives us a chance to share ideas across continents and generations."
- Sherry C.M. Lindquist
"What defines a memorable experience for a scholarly conference is superb organization, exemplary scholarship, and genuine collegiality. We look forward to continuing our conversations with this community of feminist scholars."
- Amy K. Hamlin & Karen J. Leader
Committee & Sponsors
Organizing committee: Joanne Allen, Juliet Bellow, Norma Broude, Kim Butler Wingfield, Nika Elder, Mary D. Garrard, Helen Langa, Andrea Pearson, and Ying-chen Peng.
Sponsored by the Art History Program and the Department of Art, College of Arts and Sciences, American University.